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Learning by Doing Northwest Coast Native Indian Art

Raven Publishing Inc.

Regular price $24.95

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By Karin Clark and Jim Gilbert

    Learn and teach Native art drawing, painting, and carving in Pacific Northwest Coast art styles.

    First published in 1987, Learning by Doing Northwest Coast Native Indian art, by Karin Clark and Jim Gilbert, is a helpful guide for anyone interested in Pacific Northwest Coast Native art drawing, painting, and carving styles.

    The book was initially developed as a straight-forward, useful, and enjoyable curriculum to be used in any educational classroom or workshop setting or as a great place to start for those with a personal interest in Northwest Coast art. 

    It includes step-by-step, native art drawing, painting, and carving tutorials, with practice worksheets right in the book, perfect for meeting K-12 teachers’ Indigenous-focused curriculum expectations.

    Use this book to learn and teach Native art drawing using Pacific Northwest Coast art styles.

    If you’re a K-12 teacher, this book is a culturally accurate grab-and-go resource you can use immediately in the classroom without having to spend hours researching and preparing materials that integrate indigenous perspectives in the classroom.

    Learning by Doing is intended as the first book in the “Learning by” Series because it’s perfect for beginners, with formline art building block practice pages and simple native art projects for people just starting to learn about Northwest Coast art.

     

    More about Learning by Doing:

    • Step-by-step instructions and illustrations on the basics of drawing, designing, painting and carving in the Pacific Northwest Coast Native Indian art
    • Fifteen educationally based concepts arranged from simple to complex, with each step building on the previous.
    • Over 300 black and white detailed illustrations and 32 photos enhance and clarify the straightforward instructions.
    • Durable soft cover, black and white, 160 pages.
    • 5 in x 11 in
    • First published in 1987 and reprinted in 1990, 1993, 1999, 2001, 2003 and 2017.
    • Bonus: You'll find an unpainted version of a native Raven head design on page 154, a perfect tool for practicing how to draw a native raven head in Northwest Coast art style.

     

    About the Native Raven art on the cover of Learning by Doing

    The Native Raven design on the cover of Learning by Doing is the same design we use for Raven Publishing’s logo. Based on an idea that flashed as she watched a student at work, Karin Clark designed it and Jim Gilbert drew and painted it.

    The design represents a young Raven, who in Pacific Northwest Coast Indigenous culture is considered a crest figure and responsible for, among other things, the creation or stealing of light in the form of the sun, moon, and stars, and finding earth’s people while they were still hiding in the dark and giving them the light. Although Raven is a famous trickster and shape-shifter, we do not emphasize this aspect of Raven’s character here. We believe students can learn this on their own.

    Within our logo, Raven, the teacher, provides children with learning experiences that encourage their educational growth, development, and understanding. Depicted in typical Northwest Coast Native art style, Raven is the teacher whose eye reflects a student totally absorbed in doing Northwest Coast Native art.

     

    Table of Contents

    Forward

    Chapter 1
    Scope and Sequence Chart

    Introduction and Theoretical Construct

    Instructional Techniques

    Justification and Need

    Chapter 2 - Review of the Literature

    Map

    Northwest Coast Native Indian Cultural Background information

    Contexts of Northwest Coast Native Indian Art

    Ethnography

    Native Art

    Recognition of Native Art as an Art Form

    Kwagiulth Artists

    Skills

    Curriculum

    Curriculum Model

    Patterns of Instructional Programming

    Methodology

    Time

    Interaction Patterns

    Learner Needs

    Supportive Environment

    Program and Student Evaluation

    Reporting

    Present Day Development of Curriculums of Native Indian Art

    Chapter 3 - Goals and Objectives

    Goals

    Objectives

    Evaluation

    Handout Materials:

    Rating Scale - Teacher Program Evaluation

    Rating Scale - Parent/Guardian Evaluation

    Questionnaire - Teacher Self-Evaluation

    Questionnaire - Student self-Evaluation

    Questionnaire - Student Course Evaluation

    Example of a Criterion-Referenced Test

    Concept Checklist

    Group Record Card

    Chapter 4 - Teaching/Learning the Concepts:
    Native Indian Art Displays

    Concept # 1 - Basic Ovoid

    Concept # 2 - Ovoid with Eyelid line

    Variations and Styles of Eyes and Eyelid Lines

    Concept # 3 - 'U' Shape

    Concept # 4 - Split 'U'

    Split 'U' Forms and Common Mistakes - Test Paper

    Concept # 5 - Reverse Split 'U'

    Concept # 6 - Variations in 'U' Shapes

    Additional Variations in 'U' Shapes - Chart

    Concept # 7 - 'S' Shaped Box End Design

    Concept # 8 - Salmon-Trout Head

    Concept # 9 - Killer Whale Head

    Concept # 10 - Eagle Head

    Concept # 11 - Knife Handles

    Concept # 12 - Bas-Relief Whale

    Concept # 13 - Bas-Relief Eagle (Interior Areas Carved)

    Concept # 14 - Carved Serving Tray

    Concept # 15 - Ceremonial Paddle

    Chapter 5 - Implementation:
    Costs

    Possible Uses

    In-Service or Other Preparatory Activities

    Materials

    Line Drawings

    Bibliography

     

    Check out the "Learning By" series